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Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report
U: ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA. Split: University of Split, Arts Academy in Split; University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. str. 995-1007. https://doi.org/10.31534/XI.asmosia.2015/08.19
Borovac, Tonči; Gluhan, Antonija; Radošević, Nikola

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Borovac, T., Gluhan, A. i Radošević, N. (2018). Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report. ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA (str. 995-1007). Split: University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy. doi: 10.31534/XI.asmosia.2015/08.19

Borovac, Tonči, et al. "Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report." ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018, str. 995-1007. https://urn.nsk.hr/urn:nbn:hr:123:119077

Borovac, Tonči, Antonija Gluhan i Nikola Radošević. "Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report." U ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, 995-1007. Split: University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. Citirano 21.11.2024.. https://urn.nsk.hr/urn:nbn:hr:123:119077

Borovac, T., Gluhan, A. i Radošević, N. (2018) 'Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report', ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy, Split, str. 995-1007. Preuzeto s: https://urn.nsk.hr/urn:nbn:hr:123:119077 (Datum pristupa: 21.11.2024.)

Borovac T, Gluhan A, Radošević N. Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report. ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA. Split: University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy; 2018. Str. 995-1007. [pristupljeno 21.11.2024.] Dostupno na: https://urn.nsk.hr/urn:nbn:hr:123:119077

T. Borovac, A. Gluhan i N. Radošević, "Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report", ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA Split: University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. [Online] Dostupno na: https://urn.nsk.hr/urn:nbn:hr:123:119077 [Citirano: 21.11.2024.]

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Naslov (engleski)Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report
AutorTonči Borovac
AutorAntonija Gluhan
AutorNikola Radošević
Autorova ustanovaSveučilište u Splitu
Umjetnička akademija
(Odjel za likovne umjetnosti)
(Odsjek za konzervaciju i restauraciju)
Znanstveno / umjetničko
područje, polje i grana		HUMANISTIČKE ZNANOSTI
Povijest umjetnosti
Znanstveno / umjetničko
područje, polje i grana		UMJETNIČKO PODRUČJE
Primijenjena umjetnost
Restauracija i konzervacija
Sažetak (engleski)
Throughout history, the faux marbling technique has been used as a more accessible substitute for natural marble and stone in decorating prestigious parts of structures of religious and secular use. The significance of this decorative technique in Dalmatia was expressed in the art of the Early Christian period, when reductions in the marble and stone market occurred due to the decay of the Roman Empire. The history and use of the faux marbling technique is under-researched and inadequately evaluated, especially along the eastern Adriatic coast. The aim of this study is to try to determine which types of natural marble or stone correspond to the examples of faux marbling found in archaeological sites presented. This comparison is expected to lay the foundation for a database for the classification of the types and origin of marble and stone used as templates in the implementation of imitations fabricated using the technique of faux marbling. The study used several representative examples of faux marbling on a number of sites in Central and Southern Dalmatia.
Ključne riječi (engleski)
Jezikengleski
Vrsta publikacijeZnanstveni rad - Izvorni znanstveni rad
Status objaveObjavljen
Vrsta recenzijeRecenziran - međunarodna recenzija
Verzija publikacijeObjavljena verzija rada (izdavačev PDF)
Naslov zbornikaASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA
Brojčani podacistr. 995-1007
ISBN978-953-6617-49-4 (Arts Academy in Split (print))
ISBN978-953-6116-75-1 (Faculty of Civil Engineering, Architecture and Geodesy (print))
ISBN978-953-6617-51-7 (Arts Academy in Split (online))
ISBN978-953-6116-79-9 (Faculty of Civil Engineering, Architecture and Geodesy (online))
DOIhttps://doi.org/10.31534/XI.asmosia.2015/08.19
URN:NBNurn:nbn:hr:123:119077
Datum objave publikacije2018
SkupNaziv: The XI International Conference of ASMOSIA
Kratica: ASMOSIA XI
Lokacija: Split, Hrvatska
Datum početka: 2015-05-18
Datum završetka: 2015-05-22
Vrsta izlaganja: Predavanje
URL dokumentahttp://gradst.unist.hr/ostalo/izdavacka-djelatnost/a/view/id/4078
Vrsta resursaTekst
IzdavačUniversity of Split, Arts Academy in Split
IzdavačUniversity of Split, Faculty of Civil Engineering, Architecture and Geodesy
Mjesto izdavanjaSplit
Prava pristupaOtvoreni pristup
Uvjeti korištenjaIkona licence Zaštićeno autorskim pravom.
Javna napomenaTonči Borovac and Antonija Gluhan, Croatian Conservation Institute Split, Split, Croatia (tborovac@h-r-z.hr; agluhan@gmail.com); Nikola Radošević, Arts Academy in Split, University of Split, Split, Croatia (radniko@gmail.com)
Datum i vrijeme pohrane2019-03-21 09:33:23